The Wolf Man Cometh. A Retrospective by Daniel august The Universal colossus films of the late 1930s and early 1940s, were rather a strange phenomenon. Although popular with audiences upon their sign release, they did non reach the blossom of their commercialized appeal until the 1950s, when they reappeared on late night television, and spawned a tot completelyy new generation of fandom. Children of the 1950s and 60s, went monster ghastly, and on with screenings of Frankenstein, The Wolf Man and Dracula on TV, came publications such(prenominal) as Famous Monsters of Filmland and Eerie non to mention countless others. It was land to the immense revisiting of these films, that we can attribute the popular interpretation of the resolving power of these works. To many, the names Karloff, Lugosi and Chaney are synonymous with classic horror, but in the years prior to the arrival of television, which many classify as the golden age of Hollywood, the genre of Monster Hor ror was not yet refined, and it is fascinating to study the effects these films had on bon net ton upon their original release. Using the 1941 classic The Wolf Man as an example, I will examine the varying factors which led to the films initial success, and how they have attributed to the mythology of Universal Horror as it is interpreted today.
It is not uncommon to associate the name Lon Chaney jr. with the horror films of the 1940s. During his slim with Universal in the 1940s, Mr. Chaney was the only actor to portray either of Universals core assembly of monsters, including The Wolf Man, Dracula, Frankenstein and The mamma, becomin g a legend in the process. Yet, prior to 194! 1, Mr. Chaney was march on a struggling actor living in the nanus of his late fathers legacy. According to the official website of... If you want to get a full essay, order it on our website:
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